In the opening scene of Peter Medak's The Changeling, Composer John Russell (George C. Scott) witnesses the death of his wife and child in a...

There's a moment early in Paul Feig's outlandishly funny Bridesmaids when you can't help but begin to adore Annie Walker, the maladroit prot...

Unlike Anchorman, the production that announced the Apatow brand as a serious force in big screen comedy, the writer/producer's first turn i...

In the true sense of the word "documentary," Somnur Vardar's feature length dialogue, Beginnings truly observes its subjects whether they be...

The Legend of Ron Burgundy has become just that in Hollywood: a legend. An offbeat hit that launched re-ignited or just generally benefited...

However one may feel about "shock jock" Howard Stern, it's hard not to admire the subversive way he transformed radio by ditching the phony...

A younger, modern generation likely associates the National Lampoon brand with crap like Cattle Call, Dorm Daze or Van Wilder rather than th...

The Lovers on the Bridge, Leos Carax's final instalment in the "l'amour fou" (or "Alex"), trilogy, is, like its predecessor Mauvais Sang, a...

In its opening, Leos Carax's overly nostalgic and predominantly referential Holy Motors features the emaciated director emerging from a bed...

When Leos Carax shot Boy Meets Girl, his first feature film, he was in his early 20s. His youthful whimsy and corresponding pretense are as...

In the pantheon of high-school movies depicting an unforgettable night in the lives of its young characters, Superbad stands alongside only...